|
|
 |
 |
 |
 |
A
step forward in time
Toronto's New City Hall |
 |
| |
|
|
|
| |
|
Introduction
International competition
Viljo Revell's winning design
Sod turning
|
Time
capsule
Construction
Official opening
Public art
|
|
| |
|
Announcement
of Competition Results, 1958
Submission for Toronto City Hall
Viljo Revell
1958
Photographer: Panda Associates
City of Toronto Archives, Series 843, File 134 |
|
| |
|
Only
a few hours elapsed between the completion of the jury’s report
to Professor Arthur and the announcement to the press of results
in the final stage of the competition (even before City Council
had a chance to ratify same). The date was Friday, September 26,
1958, and the United States had just launched ‘a satellite that
may help to solve many of the mysteries of the earth’s weather,’
but that story was almost driven off the front page of the (now
defunct) Telegram. Nearly all of it was given over instead to the
remarkable prize-winning design. Popular and official reaction were
generally favourable; Mayor Nathan Phillips was elated and called
the design ‘breath-taking.’ The architectural profession was complimentary:
John C. Parkin—himself a disappointed competitor in the preliminary
competition but eventually associated in the execution of the building—was
especially generous. The front page also carried the first story
about the gentlemanly architect who headed the successful team from
Finland. |
|
| |
|
Viljo
Revell
Portrait of Viljo Revell, architect of City Hall
ca. 1960
Photographer unknown
City of Toronto Archives, SC 268, Item 1660A |
|
| |
|
Born
in 1910 at Vaasa, a town on the west coast of Finland, Viljo
Revell
was a rugged-looking man, fond of the sea and sailing. He studied
architecture at the Institute of Technology in Helsinki and
opened
his practice there in 1935 but twice in the same decade served
as assistant to the renowned Finnish architect Alvar Aalto.
Though
he always remained a loyal admirer of Aalto, Revell led the modern
nationalist school that developed in Finland after World War
II
in reaction to the older man’s more romantic and personal style.
A biographer wrote that Revell was ‘a name which signifies not
only
a person, but also a group and a movement.’

|
|
| |
|
Viljo
Revell with Collaborators
Viljo Revell
with Bengt Lundsten, Seppo Valjus and Heikki Castren
1958
Photographer unknown
City of Toronto Archives RG 32 A2 Box 12
|
|
| |
|
Revell’s
office was sought out by many young architects and he executed works
in association with various proteges. Yet, he was a modest man,
and self-effacing (notwithstanding his imposing size and appearance).
Characteristically he is not at the centre of the group in this
photo of his Toronto City Hall team. He is at the lower left, seated
beside Seppo Valjus (who holds a disk that must be the Council Chamber
from the City Hall model). Bengt Lundsten leans over these two;
the other standing figure, in the upper right, is Heikki Castren.
After Revell died in November 1964, Heikki Castren and Company saw
the project through to completion with Revell’s Canadian partner
firm, John B. Parkin Associates.
|
|
| |
|
|
|
| |
|
|
|
 |
 |
|
|
|